Creative
Projects & Portfolio
"Production is the art of having a vision and being able to execute that vision every time . "
2D & 3D Designs
"Golden Banana" 3D Render by Steve Sinfort
A 3D Golden Banana represents the transformation of something temporary into something timeless.
A real banana decays, but gold endures. By fusing the two, the symbol becomes a statement of creative alchemy — the ability to take ideas, skills, or moments that would normally fade and convert them into lasting value.
It stands for:
• Turning the perishable into the permanent
• Preserving brilliance that would otherwise rot
• Elevating the ordinary into something legendary
• Creating assets that outlive their origins
• Mastery that resists decay, distraction, and time
In short:
The 3D Golden Banana is the emblem of making the fleeting eternal
Photography
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Coca Cola Commercial (2024)
Godzilla (2014) Re-cut Trailer
Audio Soundtracks
"Rasin ki Pa Dòmi " Mix
Prod. by Dramma Muzik
Rasin ki Pa Dòmi (Roots That Never Sleep) is more than a release — it is a declaration.
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This project was born from rhythm, resistance, and remembrance. Rooted in Haitian rock traditions, the track carries the pulse of ancestral drums while embracing the raw energy and freedom of rock music. It exists at the intersection of past and present, where heritage is not archived but alive, breathing, and constantly moving.
The Meaning Behind the Title
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In Haitian culture, rasin (roots) are not symbolic decorations — they are living forces. They represent ancestry, memory, struggle, and continuity.
Rasin ki Pa Dòmi speaks to the idea that these roots never rest. They move through sound, through blood, through rhythm, and through generations.
No matter how much time passes or how far we travel, the roots remain awake.
This title reflects a truth: culture does not sleep. Identity does not fade. The drum always
remembers.
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The Sound and Rhythm
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Musically, the track is driven by a hypnotic Haitian rock rhythm — repetitive by design, evolving by feeling. Rather than following conventional song structures, Rasin ki Pa Dòmi unfolds like a journey. The groove is allowed to breathe, to stretch, to pull the listener into a trance-like state where rhythm becomes language.
The drums are not just instruments here — they are storytellers.
The guitars and textures do not dominate; they respond.
The music listens to itself as much as it speaks.
This approach reflects how Haitian roots music has always functioned: communal, cyclical, and deeply spiritual.
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True Sounds, No Compromise
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The phrase “True Sounds” represents the philosophy behind this release. There is no attempt to chase trends or dilute identity. The production embraces imperfections, raw energy, and organic movement — because truth in music is felt, not polished into silence.
Rasin ki Pa Dòmi was created to be experienced, not rushed.
It is music meant for listening deeply — whether alone with headphones, in a car at night, or performed live where rhythm becomes shared motion.
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The Visual Identity
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The album artwork reflects the same philosophy.
Black and white symbolize truth, contrast, and clarity.
Red accents represent life, blood, rebellion, and rock energy.
The ornamental design honors tradition, lineage, and respect for what came before.
Together, the visuals and sound form a unified statement: this music knows where it comes from.
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A Living Continuum
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Rasin ki Pa Dòmi is not nostalgia.
It is continuity.
It acknowledges the past without being trapped in it, and it pushes forward without forgetting. This release stands as a reminder that Haitian music, culture, and rhythm are not static — they evolve, adapt, and resist silence.
The roots are awake.
They have always been.
"African Afrobeat Dubstep Mix "
Prod. by Dramma Muzik
"Son Nan Lari A" (Sounds In The Street) Prod. By Dramma Muzik
"Son Nan Lari A" also known as (Sounds In The Street) was created with original 4/4 signature of Haiti's natural cultural rhythm with hi hats landing 1 ,2 and 3 ,4 forming a nice cultural blend of Island style . I was inspired to created this soundtrack to help me on my journey in connected to my ancestral roots . This production contains sounds that carry high intensity with the genre being a blend of Haitian genre style of music "Kompa"with a mix of "Electronic". This Piece was made with lots of attention to character , tone and composition arrangement in craft a successful blend of "Kompa" and "Electronic". LFO and ESP are known to be used in forming melodies heard in most "Kompa" genre style of music . I defiantly look forward in continuing to formulate these style of musical arrangements .
"Galaxy" Sample Prod. By Dramma Muzik
This piece is Electronic EDM mix all sounds where created using electronic sounds and LFO's
I created this piece for a Project submitting during my
Project Portfolio ll completion at Full Sail University . Galaxy was created using Sequencing Technology.
"Bad Bad Chaka" Sample by Chaka Demus Prod. By Dramma Muzik
I was Inspired to Create” Bad Bad Chaka “After hearing it on A record and decided to turn it into A creative piece. On my free time I enjoy listening to old classical music, especially reggae it brings A natural vibe that can be found in Caribbean music. Chaka Demus is A mainly known for his hit single with Pliers Called “Murder She Wrote “Released In 1992 out of Jamaica. I Feel this piece will make A good soundtrack for A island commercial produced to promote Caribbean Culture, knowing that reggae music is respected all around the world.
In this Piece I have structured A simple back beat pattern with kicks on bars 1 and 3, and snares on 2 and 4. The time signature on this project is A 4/4 meter. The drum A broken into 4 individual sections containing a kick, snare, hi hat and my favorite the rim shot which brings the Caribbean vibes with rim shots on “one and A twoie and A threeie and A four e “. On this piece I used acoustic drums keeping it original with a standard studio reverb. I did choose to go digital with the bass which will complement the melody in my second 16 bar section.
While putting this piece together I decided to make this song in the key of G, revolving around the G Scale. The Chords through and out this project is in the Key of G | Am | F | C except for the intro section and pre chorus. The melody on this piece is A steady G one shot till you reach the second 16 bar section where the melody begins to shine and shows its true intensity. Starting at the second 16 bar you can start to feel the colors of the melody begin to build up n show its colors as this project begins to shape.
The audio in this piece comes straight from Vinyl. I was able to pull this audio using A handheld recorder, making sure my levels are not peaking for sample processing. While capturing this audio piece, I will attempt to capture A audio loop in perfect sync time so that it can be used in the Sampler. With this loop I recorded the first 2 mins of the vinyl, then straight to A Stem Separator where I will begin to dissect the audio by separating its drum, bass, melody, and vocals, etc.... After capturing and separated the vocals the audio is now ready to be sampled processed and placed perfectly in it track region. After placing the audio where I wanted, now I can begin to mix the audio to my standards by adding EQ, Compression, and Noise Gate to help with vinyl static.
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After getting the audio cleaned up, now I can begin processing my time-based effects. With the time-based effect, I decide to use delay and reverb, in majorities of soundtracks I do similar to this I like to use reverb and delays to give each sound its own shape. I believe when time-based effect such as reverb and delay are used properly it helps the piece resonate and not keeping it flat with no color. In this Soundtrack I wanted to get my dynamic processes perfect. I personally feel when it comes to reggae you have to get the dynamic processing correct especially in reggae music, when listening to reggae the sounds are always bright and have colors. When the EQ is set on the high-end it keeps the sound track bright colorful with timbre. Finally, Compression, I couldn’t stress this enough you must have the Compression set perfectly. When Compression set at A good level you will be able to pull all the background or dim sounds forward to allow your project to shine in its entirety .
"Ghetto Dreams" Sample by Nate Dogg feat. Warren G Prod. By Dramma Muzik
I was Inspired to Create” Ghetto Dreams “After hearing the original song on a YouTube playlist and decided to turn it into A creative piece. This Sample comes from Nate Dogg & Warren G, the name of the song is called "Nobody Does It Better". Nate Dogg & Warren G is mainly known for hit single called “Regulate “ Released In the Spring of 1994 out the west coast . Its not hard to find there material even though they are underground artist . I feel this piece will make A good soundtrack for Flim or Commercial use produced to promote Hip-Hop Culture.
"Bad Boy Stepping" Sample by Knight Rider Prod. by Dramma Muzik
I was Inspired to Create” Bad Boy Stepping “After hearing it on A record and decided to turn it into A creative piece. I enjoy listening to old classical music, especially reggae it brings A natural vibe that can be found in Caribbean music. Knight Rider is A mainly known for this hit single with Called “Bad Boy Stepping“ Released In 1988 out of Jamaica. Its hard to to find his material due to him being a underground artist I Feel this piece will make A good soundtrack for A island commercial produced to promote Caribbean Culture, knowing that reggae music is respected all around the world.